테이크 원 1
Take one 1
[KOR-ENG DUAL SUB]
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(제작진1) 어, 지금 빨리 와야 될 것 같은데 |
I think she needs to come now. |
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(제작진2) 준비됐어? |
Ready? |
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(제작진3) 아직 들어오면 안 돼 |
Ready? |
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[사람들이 각자 말하는 소리] |
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(제작진4) |
Our Take 1 project is asking
artists, |
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(제작진4) |
"If you could present one
last performance before you died, how would you do it?" |
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(제작진4) |
It's where you can realize your
dream stage. |
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(제작진4) 원 테이크로 |
It's a performance that happens
only once, in one take. |
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(제작진4) |
It's a performance that happens
only once, in one take. When the song ends, this stage is taken down. |
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(제작진4) |
When the song ends, this stage is
taken down. |
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(제작진4) |
When the song ends, this stage is
taken down. |
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(수미) 말도 안
된다고 생각했죠 |
ONE PERFORMANCE ONE TRY I thought
it was ridiculous. |
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(수미) |
Because throughout my career of 36
years, so many important songs have made my life really special. |
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(수미) |
so many important songs have made
my life really special. |
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(제작진5) 자, 준비됐죠? 바로 갈게요 |
If you're ready, let's get
started. |
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[슬레이트를 탁
친다] |
Let's bring her out here. |
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(제작진5) 선생님 이제 모시겠습니다 |
Let's bring her out here. |
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(수미) 에휴 |
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큰일 났다 |
What should I do? |
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[수미의 심호흡] |
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(수미) |
I'm worried, and I'm also afraid.
I wondered, "Am I doing the right thing? Can I do this?" |
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(수미) |
I wondered, "Am I doing the
right thing? Can I do this?" |
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정말 여러 가지 의문점이 있었고 |
I had so many doubts. |
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[수미가 숨을 후 내뱉는다] |
But a challenge always comes with
a risk. |
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(수미) |
But a challenge always comes with
a risk. And it also requires courage. |
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(수미) |
And it also requires courage. |
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(수미) |
I think this will be a great
experience. One that I'll never forget. |
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(수미) |
I think this will be a great
experience. One that I'll never forget. |
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(제작진4) 10초 전 |
Ten seconds. Nine, eight, seven,
six, |
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9, 8, 7, 6 |
Ten seconds. Nine, eight, seven,
six, |
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5, 4, 3, 2, 1 |
five, four, three, two, one. |
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[관객들의 박수와 환호] |
five, four, three, two, one. |
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(수미) |
The song I chose… |
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"한국 개척자" |
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(남자1) [영어] |
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[관객들의 박수와 환호] (남자1) |
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[모차르트 '마술피리 밤의 여왕 아리아'가 흐른다] |
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(정재) |
Everything that she has achieved
as a Korean on the Western stage makes her truly remarkable. |
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라는 생각밖에는 뭐… |
makes her truly remarkable. |
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(보첼리) [이탈리아어] |
I got a very good impression of
her when we first met. There was immediate respect and empathy for each
other. |
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(무지치) [영어] |
I MUSICI TOP CHAMBER ENSEMBLE |
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[한국어] |
Every time I watch her perform,
she inspires me. CHOI YOUNG-SUN CONDUCTOR |
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(형주) 완벽주의자 성향이라기보다는 |
I think she is simply perfect
rather than being a perfectionist. |
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이것도 공부해야 되고… |
I have to study this again, and
this one also. |
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(수미) |
I have to study this again, and
this one also. You're a world-famous soprano, yet you still don't neglect
your studies. |
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(제작진6) |
You're a world-famous soprano, yet
you still don't neglect your studies. |
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(수미) 사람 일이 다… |
You're a world-famous soprano, yet
you still don't neglect your studies. |
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(수미) |
Practice, perform, travel.
Practice, perform, travel. One day I'd be in Tokyo, and the next day I'd be
in New York. |
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(수미) |
One day I'd be in Tokyo, and the
next day I'd be in New York. |
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(수미) 뉴욕에서 끝나고 나면 비엔나에 있었거든요 |
After New York, I'd be in Vienna.
SHE SPENDS MORE THAN 300 DAYS A YEAR ABROAD |
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"환영합니다, 조수미" |
SHE IS NOW IN PORTUGAL |
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[제작진들의 환호] |
FIRST PHONE CONVERSATION |
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(제작진7) 영광입니다 |
-Hello. -It's an honor. |
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(수미) 오, 바로 연결됐네 오케이 |
We got connected right away. Okay. |
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(수미) |
It's titled Take 1, and it's about
the one important song in my life, right? |
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(수미) |
It's titled Take 1, and it's about
the one important song in my life, right? That's right. |
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(제작진8) 맞습니다, 네 |
That's right. |
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(제작진7) |
The dates are all set for your
visit to Seoul, right? When would it be possible for us to have our first
meeting, |
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(제작진7) |
When would it be possible for us
to have our first meeting, even if it's just 30 minutes or an hour? |
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(수미) [제작진8의 호응] |
Hold on. The dates that I'm in
Seoul are the 18th, 19th, 20th, 21st, 22nd… |
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(수미) |
are the 18th, 19th, 20th, 21st,
22nd… |
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(수미) |
are the 18th, 19th, 20th, 21st,
22nd… Oh, my God. When can we meet? I don't have the time. |
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(수미) |
Oh, my God. When can we meet? I
don't have the time. |
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(수미) [제작진들의 웃음] |
Oh, my God. When can we meet? I
don't have the time. I'm fully booked. |
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(수미) [제작진들의 웃음] |
I'm fully booked. I have a
ridiculously hectic schedule. |
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(수미) 이게 말이 안 되는 스케줄이다, 잠깐, 잠깐만 |
I have a ridiculously hectic
schedule. |
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(제작진7) 너무 바쁘네 |
She really doesn't have the time. |
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[차분한 음악]
(수미) |
Actually, I'm busy every day. |
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(수미) 이탈리아에, 체코의 실내악단인 이무지치와 함께 |
I'm going on tour to ten different
locations with I Musici, Italy's best indoor ensemble. |
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10군데 투어를 할 예정이기 때문에 |
with I Musici, Italy's best indoor
ensemble. |
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[노크 소리] |
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(제작진4) 안녕하세요, 예 |
-Hello. -Hello. |
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[영준의 호응]
(제작진4) |
-Hello, sir. -Hello. |
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[수미와 제작진4가
인사를 나눈다] |
-Hello, sir. -Hello. -It's nice to
meet you. -It's nice to meet you too. |
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(제작진4) 반갑습니다, 네 |
-It's nice to meet you. -It's nice
to meet you too. |
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어디... |
So how should we greet… |
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[제작진4의 웃음] 어떻게 해야 되나, 이제 |
Should we do this? |
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[수미와 제작진4가
인사를 나눈다] |
-It's nice to see you. -It's a
pleasure. |
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(제작진4) 저기 앉으시면은… |
-It's nice to see you. -It's a
pleasure. -Shall we sit? -It's great to see you. |
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(제작진4) 반갑습니다, 네 안녕하세요 |
-Shall we sit? -It's great to see
you. Hello. |
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(제작진4) 처음 들으셨을 때는 딱 첫 반응은 뭐셨어요? 그냥... |
JO YOUNG-JOON AGENCY CEO, SUMI'S
BROTHER What was your first reaction when you first heard about this project? |
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(제작진4) 그러니까 |
I've been exposed to a lot of
songs while singing around the world for 36 years. I'm sure. |
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(제작진4) 말이 안
되죠 [수미의 호응] |
I'm sure it sounded crazy. Yes. I
said, "It's not possible for me." |
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그래서 곰곰이 생각해 보니까 일단은 |
Since I'm famous for my portrayal
of "Queen of the Night", |
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딱 생각했을 땐 |
Since I'm famous for my portrayal
of "Queen of the Night", |
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했는데, 이제 |
SUMI JO IS MOST FAMOUS FOR THE QUEEN
OF THE NIGHT ARIA There's always a message when you do something. |
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이유가 있어야 되고 |
There needs to be a reason. |
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(수미) 스토리는 굉장히 네거티브죠 |
"ABANDONED MAY YOU BE FOREVER
DESTROYED BE FOREVER" The story is very negative. |
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(수미) |
The Queen of the Night gives her
daughter a knife and says, "Kill my enemy." |
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(수미) |
The Queen of the Night gives her
daughter a knife and says, "Kill my enemy." |
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[제작진4의 웃음] |
As you know, I was designated a
UNESCO Artist for Peace. It wouldn't be right for me to sing "kill
him" while holding a knife. |
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(수미) 칼을 들고 막 죽여라 말아라, 이거는 좀 아닌 것 같아 |
It wouldn't be right for me to
sing "kill him" while holding a knife. PEACE IS BETTER THAN A KNIFE |
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그래 갖고서 |
PEACE IS BETTER THAN A KNIFE So I
was really worried and gave it a lot of thought. |
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(수미) |
So if I go with opera or classical
music, I have so many to choose from. |
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[이탈리아어로] ♪ 울게 하소서 ♪ |
"LET ME WEEP" |
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"헨델: 리날도 HWV 7 / 2막" |
"LET ME WEEP" |
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♪ 종달새 푸른 하늘로 날아오르고 훈풍이 부드럽게 불어오네 ♪ |
"VOICES OF SPRING WALTZ" |
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"요한 슈트라우스
2세
Op. 410" |
"VOICES OF SPRING WALTZ" |
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♪ 아베 마리아 ♪ |
"AVE MARIA" |
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"슈베르트: 엘렌의 세
번째 노래 D. 839, OP. 52, NO. 6" |
"AVE MARIA" |
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(수미) [한국어로] 떠오르는 건
사실 많죠 |
Many songs come to mind. |
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또 그중에서 딱 하나를 꼽는다는 건 |
It'll be very difficult to pick
one since there are so many to choose from. |
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사실 쉬운 일이 절대로 아니기 때문에 |
It'll be very difficult to pick
one since there are so many to choose from. SUMI HAS MANY SIGNATURE SONGS |
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어떤 게
좋을까 |
Which one should it be? |
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(영준) 좀 대중적인 게 좀 있어야 될 텐데 |
I think it needs to have a bit of
mainstream appeal. SHE CAN ONLY CHOOSE ONE |
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그래, 내가 보기에는 |
SHE CAN ONLY CHOOSE ONE I agree.
Instead of being too dramatic or too sad, |
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(수미) [영준이 호응한다] |
I agree. Instead of being too
dramatic or too sad, it needs to be positive and have some amusing elements. |
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(수미) |
Something that people of all ages
can enjoy, and maybe even learn something from it. |
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재밌는 것뿐만이 아니라 |
and maybe even learn something
from it. |
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(수미) |
-Would it be risky to try a new
song? -Yes, it would be too risky. Besides, I won't have time to prepare. |
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(영준) 아, 시간도 없겠지 |
Besides, I won't have time to
prepare. |
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시간도 좀
문제가 될 것 같고 |
-Yes, that would be a problem.
-There's no time. |
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(수미) |
I have to consider all that. Let
me think. |
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음... |
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(수미) 어떻게 해야 돼 아이고, 머리야, 아이고, 머리야 |
What should I do? My head hurts. |
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[제작진4의 웃음] |
What should I do? My head hurts. |
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(영준) |
To give that once-in-a-lifetime
performance, what would be the right choice? |
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(영준) 보면서 즐거움도 느껴야 되니까 |
The show has to be fun for the
audience to enjoy it. |
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재밌어야 된단 말이지 그런 게 과연 뭐가 있나 |
NOT DRAMATIC OR SAD POSITIVE, FUN
What would that be? |
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(제작진4) 그러면 그
고민을 조금 더 해보시고, 저희가 그 |
So think it over. For the artists
taking part in Take 1, we're giving out these souvenirs. |
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(제작진4) |
For the artists taking part in
Take 1, we're giving out these souvenirs. |
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(제작진4) |
For the artists taking part in
Take 1, we're giving out these souvenirs. This was made for you. |
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(제작진4) |
This was made for you. -For me?
-Yes. |
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(수미) [영준의 감탄하는 신음] |
-For me? -Yes. |
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(수미) 어머 |
My goodness. |
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(제작진4) 거기를 터치해 보시면 이제 |
Try touching it. |
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(수미) 하나, 둘, 셋 |
One, two, three? |
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[영준의 웃음]
['오징어 게임' 주제곡] |
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[영준의 웃음] |
When I see numbers, I think of
Squid Game. |
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(수미) 숫자만 나오면 '오징어 게임' |
When I see numbers, I think of
Squid Game. |
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[영준의 깨닫는 신음] 이게 뭐지? |
What is this? |
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[의미심장한 음악] |
-What does this mean? 264? -It's
the time remaining until Take 1. |
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(제작진4) [수미가 당혹스러워한다] |
You're kidding me! |
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(영준) 이게 그니까
264일 남았다는 거예요? |
So we have 264 days until the
concert? |
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(제작진4) 아니, 시간입니다 |
So we have 264 days until the
concert? -No, it's hours, actually. -So it's 264 hours. |
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(영준) 아, 264시간? |
-No, it's hours, actually. -So
it's 264 hours. |
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(수미) 안녕히 계세요 [제작진4와
영준의 웃음] |
THE TAKE ONE CLOCK It's been a
pleasure. |
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(수미) 네, 알겠습니다 |
All right, then. |
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아휴 |
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[째깍거리는 효과음] |
TIME LEFT UNTIL TAKE 1 |
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(수미) 재밌을 거
같아 |
Seville might be fun. |
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[수미의 노래하는 소리] |
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"조아키노 로시니 세비야의 이발사, 1막" |
"A VOICE A LITTLE WHILE
AGO" |
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[이탈리아어로] ♪ 독사가 되리 ♪ |
"A VOICE A LITTLE WHILE
AGO" |
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[한국어로] |
-This sounds good too. -There's a
lot to show. |
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(크리스) |
-This sounds good too. -There's a
lot to show. Or this one? |
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"샤를 구노 로미오와 줄리엣, 1막" |
"I WANT TO LIVE IN THIS
DREAM" |
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[이탈리아어로] ♪ 꿈속에 살고 싶어라 ♪ |
"I WANT TO LIVE IN THIS
DREAM" |
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(크리스) [한국어로] 선생님께서는 '테이크 원'이라는 |
When she was invited to take part
in Take 1, |
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섭외가 들어왔었을 때 |
When she was invited to take part
in Take 1, |
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저한테 '어떤 곡을 해야 할까' 고민을 굉장히 많이 하셨어요 |
When she was invited to take part
in Take 1, she had a really hard time deciding which song to choose. CHRIS
CLASSICAL PIANIST |
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[이탈리아어로] ♪ 살고 싶어라 ♪ |
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[한국어로] 이 노래 어때? [크리스의 호응] |
-What about that? -I like it. |
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저는 너무 좋은데… |
I really like it. Can I find anything
better than that for the best song of my life? |
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[영어로] '살고 싶어' |
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"슈베르트: 엘렌의 세
번째 노래 D. 839, OP. 52, NO. 6" |
"AVE MARIA" |
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(수미) [이탈리아어로] ♪ 아베 마리아 ♪ |
"AVE MARIA" |
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"헨델: 리날도 HWV 7 / 2막" |
"LET ME WEEP" |
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♪ 울게 하소서 ♪ |
"LET ME WEEP" |
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♪ 비참한 나의 운명이여 ♪ |
"LET ME WEEP" But those
songs might not be enough… |
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(수미) [한국어로] |
But those songs might not be
enough… |
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[잔잔한 음악] |
THE REASON SHE'S WRESTLING WITH
THE DECISION |
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(수미) 왜냐면 |
While building a career of 36
years, |
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(수미) |
While building a career of 36
years, I have walked a path that other "traditional" opera singers
usually don't. |
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그래서 생각한 게, 음 |
So I thought… LIFE'S TAKE 1 |
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(수미) |
…I could mix opera with a Korean
melody and rhythm. |
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[수미의 노래] |
OPERA |
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[전통 악기들의 연주] |
GUGAK |
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[수미의 노래와 전통 악기의 연주] |
OPERA + GUGAK |
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(수미) [의미심장한 음악] |
It could be a dangerous mix. So I
need to approach this with care. |
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[잔잔한 음악] |
I'm always thirsting for new
adventures. |
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(수미) |
I'm always thirsting for new
adventures. I can't live my life in the same pattern. |
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(수미) |
I can't live my life in the same
pattern. I can't live that way. |
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(수미) |
I can't live that way. |
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(수미) |
For me, challenges are a way of
life. |
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(수미) |
For me, challenges are a way of
life. |
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(수미) |
Having all these thoughts made it
easier for me to narrow down the list of songs. |
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(수미) |
made it easier for me to narrow
down the list of songs. |
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(제작진5) 잘 지내셨어요? |
WHAT IS THAT ONE SONG THAT WILL
JOIN THIS NEW CHALLENGE? -Is this on? -Hello? |
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- (제작진4) 여보세요 - (수미) 네 |
-Is this on? -Hello? |
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(제작진4) 네, 잘 들리시나요? |
A SUDDEN CALL -Can you hear me?
-Yes, we can hear you. |
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- (영준) 네 - (수미) 네 |
-Can you hear me? -Yes, we can
hear you. |
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- (제작진4) 네, 안녕하세요 - (수미) 네 |
-Hello! -Hello. |
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(수미) |
I spoke with Mr. Jo a few times
and we exchanged a lot of ideas. |
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(수미) |
and we exchanged a lot of ideas. |
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(수미) |
The first song that came to my
mind was "The Doll Song." It's a really fun song. |
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(수미) '인형의 노래'가 워낙 재밌고 |
It's a really fun song. |
|
만드는 과정도 노래뿐만이 아니라 |
I also get to do these doll-like
movements while performing. |
|
인형까지 액션하는 막
그런 것도 나오고 |
I also get to do these doll-like
movements while performing. |
|
(수미) [이탈리아어로] ♪ 나무에는 새들이 있고 ♪ |
"THE DOLL SONG"
OFFENBACH: THE TALES OF HOFFMANN SINCE ITS PREMIERE IN PARIS IN 1881 THIS
ARIA HAS BEEN LOVED AROUND THE WORLD |
|
♪ 하늘에는 태양이 있네 ♪ |
SINCE ITS PREMIERE IN PARIS IN
1881 THIS ARIA HAS BEEN LOVED AROUND THE WORLD IT IS FAMOUS FOR ITS BEAUTIFUL
MELODY AND UNIQUE PLOT |
|
♪ 모두 소녀에게 말하네요 ♪ |
HOFFMANN, THE PROTAGONIST, MEETS A
SCIENTIST AND FALLS FOR THE SCIENTIST'S DAUGHTER |
|
(수미) [한국어로] 호프만의 이상적인 그, 여성인데요 |
AND FALLS FOR THE SCIENTIST'S
DAUGHTER She is Hoffmann's ideal woman. |
|
인형이에요 완벽한 인형의 모습이지만 |
But as it turns out, she's a
perfectly formed doll. |
|
[수미의 노래] |
|
|
[수미의 점점 처지는 노래] [관객들의 웃음] |
|
|
(수미) |
When the scientist panics and
winds up the doll, she comes back to life and starts singing again. |
|
[다시 시작되는 노래] [관객들의 환호] |
|
|
(수미) 고음이 너무 많이 나오고 |
It's a technically difficult song
with a lot of high notes. |
|
기교적으로 굉장히 힘든 곡이기 때문에 |
It's a technically difficult song
with a lot of high notes. THE SONG PRESENTS CHALLENGES |
|
(수미) |
I must have performed this song
hundreds of times. |
|
(수미) 다른 프로덕션, 다른 옷들 다른 나라, 뭐 다른 스테이지 |
The production, clothes,
countries, and the stages would change every time. SHE PERFORMED THE SONG IN
A VARIETY OF WAYS |
|
이런 거를 수백 번은 했고 |
I've gone through that hundreds of
times. |
|
(수미) [제작진들의 깨닫는 신음] |
-But I've never done a Korean doll
before. -Well, that's good. |
|
[수미와 제작진들의 웃음] |
|
|
(수미) |
So instead of a foreign doll, |
|
(수미) |
it would be a Korean doll dressed
in Korean clothes. |
|
(수미) |
I like this idea. I'm sure no one
in the world has ever done this before. |
|
(수미) [제작진들의 웃음] |
I like this idea. I'm sure no one
in the world has ever done this before. |
|
[제작진 5가 수미를 따라 한다] |
I'm sure no one has. |
|
(수미) [제작진들의 웃음] |
I'm scared to death even as I'm
saying this. |
|
(수미) [제작진4의 웃음] |
What have I done? What if I
actually can't do this? |
|
(수미) [제작진5의 깨닫는 신음] |
-I've never done it this way.
-Right. It even makes me wonder how it will turn out. |
|
(수미) 나도 궁금하네 할
수
있을까… |
But in the end, if you're
confident about what you're doing as an artist, |
|
(수미) |
But in the end, if you're
confident about what you're doing as an artist, |
|
(수미) |
That belief will allow me to sing
with confidence |
|
(제작진4) |
You have no regrets about choosing
"The Doll Song"? |
|
제가 보기에는 |
I think it will be the best choice
I have ever made. |
|
(영준) 오늘 조금 전에 이제 편곡자하고 이제 |
I just spoke with the music arranger…
HOWEVER |
|
(수미) |
I was studying and listening to
the song yesterday. |
|
(수미) |
If gugak were to be incorporated,
it'd be a totally new accompaniment. I couldn't sleep at the thought of that. |
|
(수미) |
I couldn't sleep at the thought of
that. So talk it over with him today and try to work it out between you two. |
|
[흥미진진한 음악]
(영준) |
So talk it over with him today and
try to work it out between you two. |
|
2절을 이제 |
So in verse two, |
|
(수미) 국악의 터치가 들어가는데 |
there's a touch of gugak. Between
that… |
|
- (수미) 그 사이에 -
(진환) 네 |
KIM JIN-HWAN ARRANGER Yes? |
|
(수미) 좀 뭔가 좀 소위 말해서 |
Yes? Would it be possible to
"play around" a little bit with the music? |
|
제가 지금 딱 생각나는 거는 '꼭두각시'거든요 |
I'm thinking of Kkokdugaksi music.
KKOKDUGAKGSI |
|
(진환) 어... |
|
|
['꼭두각시' 연주가 흐른다] |
THE LEGENDARY MUSIC THAT FILLED
ELEMENTARY SCHOOL PLAYGROUNDS |
|
[이탈리아어로] ♪ 모두 소녀에게 말하네요 ♪ |
KKOKDUGAKSI MUSIC MEETS OFFENBACH |
|
♪ 모두 소녀에게 말하네요 사랑에 대해서 ♪ |
THE ARRANGER'S EYES LOOKED SAD |
|
[의미심장한 음악]
[째깍거리는 효과음] |
THAT'S HOW THE TWO WORLDS MET |
|
(영선) [한국어로] |
Have all the gugak musicians
finished tuning their instruments? Let's start with the Kkokdugaksi music. |
|
(영선) |
Let's start with the Kkokdugaksi
music. -I'll start. -Yes. Please follow the sheet music. |
|
(남자2) 꼭두각시로 해볼게요 |
-I'll start. -Yes. Please follow
the sheet music. |
|
(영선) 악보대로 부탁드릴게요 |
-I'll start. -Yes. Please follow
the sheet music. CHOI YOUNG-SUN CONDUCTOR |
|
[합주와 노래 소리] |
"MANCHUNGOK"
(KKOKDUGAKSI) THE ARRANGED SECTION |
|
(영선) |
It has to be faster. |
|
(영선) |
It has to be faster. Much faster
than this. |
|
(영선) 이게 원래 빰빠 람빠 야빠빠 빱빠빠 이 템포니까 |
The tempo has to be like this.
MATCHING THE TEMPOS OF WESTERN MUSIC AND GUGAK WILL BE KEY |
|
오케이, 시작해 주시죠, 해봅시다 |
All right, let's start. We'll try again. |
|
자, 바로 해볼게요 다리란, 원, 투, 쓰리, 엔 |
We'll go straight into it. One,
two, three, and… |
|
[국악 연주] |
|
|
(영선) ♪ 따리란 밤밤 빠람밤바 람바람 ♪ |
|
|
♪ 밤바 랍바 얍빠빠 빠빠빠 빠빠빠 ♪ |
|
|
♪ 빰빰빰빠빠 얍빠 ♪ |
THEY'RE NOT MIXING WELL |
|
네, 한 번만 다시 해봅시다 원, 투, 쓰리 |
Let's try it one more time. One,
two, three, and… |
|
♪ 라리랄 랄랄 라랄랄라 랄라랄 ♪ |
Let's try it one more time. One,
two, three, and… |
|
♪ 얍빠 얍빠 얍빠빠 빠빠빠 빠빠빠 은 ♪ |
|
|
♪ 빠빠빠빠빠 얍빠 ♪ |
|
|
(수미) |
Doesn't it sound a little strange?
It sounds very shrill. |
|
[수미가 비평한다] |
It sounds very shrill. |
|
(수미) |
-Because the rhythms are
different. -Right. It sounds strange. |
|
(영선) |
-If it sounds strange, we can take
it out. -It could be a little risky. |
|
(영선) 전혀 문제없어요 |
-If it sounds strange, we can take
it out. -It could be a little risky. |
|
(수미) |
-If it sounds strange, we can take
it out. -It could be a little risky. |
|
(수미) |
Should we start from the
beginning. Something's sort of working. |
|
[영어로] 여기까지는 뭔가 좀
되는 것 같아 |
Should we start from the
beginning. Something's sort of working. |
|
[연습하는 소리] |
|
|
아니야 [혀를 찬다] |
From here, |
|
(수미) [한국어로] 여기서는 정말 사실 |
From here, if it doesn't work like
this, then it's no good. |
|
우리 다
그냥 음빠빠 음빠빠로 가면 |
if it doesn't work like this, then
it's no good. |
|
(수미) |
if it doesn't work like this, then
it's no good. It could be really bad. |
|
(수미) |
It could be really bad. It's this
part. |
|
(영선) 와, 그 여기가… |
It's this part. |
|
(수미) |
If we don't go mechanical on this,
it's going to be a mess. |
|
(수미) [영어로] 모두 다시 해봅시다 리듬을 딱딱 맞춰서요 |
|
|
(수미) [한국어로] 딱딱딱 |
If not, we'll be in big trouble. |
|
(수미) |
If not, we'll be in big trouble.
It's a very dangerous part. |
|
(수미) [영선의 호응] |
It's a very dangerous part. |
|
(수미) |
I was very concerned. In the past,
when the two worlds merged, |
|
(수미) |
In the past, when the two worlds
merged, not every song sounded successful. |
|
(수미) |
not every song sounded successful.
At least to my ears. |
|
(수미) |
I thought, "Is this right?
Can I do this?" |
|
(영선) 빰빰 했는데 |
What kind of beat is it? |
|
(영선) |
In the second verse, the gugak
goes in much faster. |
|
- (여자1) 빠르죠? - (영선) 빨라 |
-It's fast, right? -It's very
fast. |
|
(남자3) |
If it sounds like it's wrong,
then… It just keeps sounding wrong. |
|
(진석) |
It just keeps sounding wrong. |
|
(진석) |
It's okay to sound different, but
it's bad if it sounds wrong. |
|
(여자2) G만 우리 같이 해보면 어때요? |
Can we just try G again? |
|
(진석) 아니라고, 다르다고 |
I told you, that's not right. |
|
아니라고, 지금 그냥 한다고 |
I told you, that's not right. THE
TEAM'S VIBE ISN'T GOOD |
|
[서로 말하는 소리] |
THE TEAM'S VIBE ISN'T GOOD |
|
- (진석) 네 것만 해 - (여자2) G부터 해요 |
-Just do yours. -Start with G. |
|
[의미심장한 음악] |
|
|
(진석) |
Honestly, I was having a meltdown.
In gugak… |
|
저희는 박자를 셀 때 |
In gugak… CHOI JIN-SEOK HEAD OF
GUGAK |
|
사람의 호흡으로 숨을 쉬는 호흡으로 박자를 세고 |
…we count the beat with our
breath. GUGAK IS ABOUT THE BREATH |
|
서양 음악은 심장 박동 수인 비트로 박자를 세거든요 |
In Western music, breathing is
measured in beats, like heartbeats. WESTERN MUSIC IS ABOUT THE BEAT |
|
(진석) 그런 호흡적인 부분과 비트를 맞춘다는 게 |
There was some difficulty in
matching that beat with the breathing rhythm. |
|
어려움이 없지 않아 있었습니다 |
There was some difficulty in matching
that beat with the breathing rhythm. COMBINING THE TWO ISN'T EASY |
|
(영선) |
-We need to overcome this. -Yes.
We can practice. |
|
(수미) |
-We need to overcome this. -Yes.
We can practice. Well, we only have five minutes left. |
|
(수미) 일단 지금 5분밖에 안 남았으니까 |
Well, we only have five minutes
left. |
|
(수미) 한번 해보고, 그다음에 4시
반까지죠? |
-Let's try again. -Okay. -We
finish at 4:30? -Yes. |
|
(영선) 네 |
-We finish at 4:30? -Yes. EVERYONE
IS FOCUSED ON ONE THING |
|
(수미) |
Honestly, I think you're all doing
great. |
|
(수미) |
As long as the practice goes well,
there should be no problem. |
|
(수미) |
We're almost done, so let's do it
a couple more times. |
|
(영선) |
We're almost done, so let's do it
a couple more times. Sure. |
|
(수미) 2번만 더
할까요, 선생님 [영선의 호응] |
-Just two more times? -Yes. |
|
[악기 소리] |
THE PRACTICE CONTINUES |
|
(수미) |
We'll start from there. You have
to split it up properly. One more time. |
|
(수미) |
You have to split it up properly.
One more time. |
|
(수미) |
You have to split it up properly.
One more time. Again? One more time? |
|
(수미) |
Again? One more time? We'll have
to start from here again. |
|
(수미) |
We'll have to start from here
again. |
|
[악기 연주 소리] |
|
|
[영선과 수미의 웃음] |
|
|
(수미) ♪ 빱 빠빠르도 ♪
그렇게 할게요 |
I'll do it this way. |
|
오케이, 다시 할게요 거기까지 |
Okay, let's do it again. |
|
[째깍거리는 효과음] (수미) 제가 트릴부터 갈게요 |
I'll start with the trill. |
|
[째깍거리는 효과음] |
|
|
[관객들의 박수와 환호] |
|
|
(수미) |
I'm already worried. I didn't have
enough time to practice. |
|
(수미) |
I didn't have enough time to
practice. |
|
(수미) 거기다가 제가 매일매일 또 다른 일정 때문에 |
My schedule is packed with
different things every day. |
|
바쁘고 이게 한꺼번에 많은 게 해프닝이 되다 보니까 |
HER SCHEDULE IS TIGHT Everything
is happening at once. |
|
(여자3) 시간에 쫓기니까 |
You're always pressed for time. |
|
[수미의 심호흡] |
|
|
(수미) 제가 선생님을 찾아뵌 이유는 |
-There's a reason I wanted to see
you. -Okay. |
|
우리나라의 그
약간 테이스트를 좀 더 넣기 위해서 |
I wanted to incorporate more of
Korea's taste… SEO SEUNG-YEON FASHION DESIGNER |
|
[승연의 호응] |
SEO SEUNG-YEON FASHION DESIGNER |
|
(수미) |
…into the stage costume. And
you're the first person I thought of. |
|
(수미) |
…into the stage costume. And
you're the first person I thought of. |
|
(승연) |
It's necessary to fully express
the form of the Korean traditional dolls. |
|
[수미의 호응]
[승연의 웃음] |
Although we have limited time,
I'll do my best. |
|
(수미) |
In addition to the main character,
the actors, actresses, and dancers all play an important role. |
|
(수미) |
the actors, actresses, and dancers
all play an important role. |
|
(수미) 왔다 갔다가 일로 갔다가 |
I'll go back and forth, like this.
"Oh my God. Where am I going?" |
|
오 마이 갓, 나 어디 가야지? |
I'll go back and forth, like this.
"Oh my God. Where am I going?" |
|
내가 모르는 음악인데? 막 이러면서 |
I'll be like, "I don't know
this music." |
|
[웃으며] 그래 가지고 |
Our choreography was too static. |
|
[영어로] 벽을 더
허물어요 [댄서1의
웃음] |
|
|
[한국어로] 오케이 그럼 한번 해볼게요 |
Okay, let's try this. I'll just be
natural. |
|
제가 한번 느끼는 대로 |
Okay, let's try this. I'll just be
natural. |
|
[댄서1의 호응] |
Okay, let's try this. I'll just be
natural. |
|
(수미) |
Nowadays, people want and need
something fun. |
|
(수미) |
What if we try this? |
|
(수미) |
I'll hide in the box, and then
I'll come out and say, "Ta-da!" |
|
(수미) 오, 이런 식으로 |
COSTUME CHECK |
|
- (승연) 약간 이제 이렇게 막 - (수미) 네, 좋아요, 좋으네요 |
-We can do it like this. -It's
good. I like it. |
|
(수미) Home, sweet Home |
|
|
[수미가 중얼댄다] |
|
|
(제작진1) 한 번의 무대를 딱 한 번의 |
WHY SHE KEEPS CHALLENGING HERSELF
You're performing just one song for just one audience. |
|
관객에게 들려드릴 거잖아요 |
You're performing just one song
for just one audience. |
|
어떤 관객에게 좀
들려주고 싶으신지 |
What kind of audience do you want
to perform for? |
|
어... |
|
|
[잔잔한 음악] |
with maybe students who are
studying vocal music |
|
(수미) |
I thought about who I'm doing this
for. |
|
(수미) |
To make children with disabilities
and their families laugh, I have to put on a fun performance. |
|
(수미) |
I have to put on a fun
performance. |
|
(수미) |
I have always been interested in
animal protection, abandoned dogs… My name is Beth. |
|
(수미) |
…and children with illnesses. I've
always wanted to socially help people in places like this. |
|
(수미) |
I've always wanted to socially
help people in places like this. |
|
(수미) 오, 오, 오 |
|
|
(수미) |
I do this while I'm singing. You
want to see it? |
|
(수미) |
I do this while I'm singing. You
want to see it? |
|
- (여자4) 응 - (수미) [웃으며] 응 |
|
|
굉장히 타이트 하잖아요, 일정이 |
She must have a really tight
schedule. YIM SOON-RYE DIRECTOR, KARA BOARD MEMBER |
|
굉장히 인상적인 게 |
YIM SOON-RYE DIRECTOR, KARA BOARD
MEMBER But what's impressive is that despite that tight schedule, |
|
이 휠체어를 탄 꼬마들이 |
We could never have imagined that
children in wheelchairs could ride a swing. |
|
그네를 탄다는 거는 상상할 수 없었거든요 |
We could never have imagined that
children in wheelchairs could ride a swing. PAIK KYUNG-HAK PURME FOUNDATION
BOARD MEMBER |
|
(경학) |
She donated that swing for the
first time ever. So, in the spring, children come with their parents to ride
the swing. |
|
(경학) |
So, in the spring, children come
with their parents to ride the swing. |
|
(수미) |
Why does the world need music and
why do I sing? |
|
(수미) |
I need to know the world, and I
have to be beautiful. |
|
[강아지의 낑낑거리는 소리] (수미) |
He's kissing me. |
|
[박진감 넘치는 음악] |
|
|
"인형의 노래" |
|
|
[타이어 마찰음] |
|
|
[수미가 목을 가다듬는다] |
SUMI JO ARRIVES 11:40 A.M. |
|
(수미) 메이크업은? |
-What about makeup? -They're
coming. |
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(수미) [놀라며] |
What is this? |
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(수미) 오 마이 갓 |
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(수미) 7시 16분 |
Seven hours and sixteen minutes. |
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[수미의 초조한 신음] |
THE TIME IS CLOSING IN ON HER |
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(수미) 이게 뭐지?
264 무슨 뜻이에요? |
What is this? -What does this
mean? 264? -It's the time remaining until Take 1. |
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(제작진4) 이게 '테이크 원'까지 남은 시간 |
-What does this mean? 264? -It's
the time remaining until Take 1. |
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미치겠다 [제작진4와 영준의 웃음] |
You're kidding me! |
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(수미) 안녕히 계세요 [제작진4와
영준의 웃음] |
It's been a pleasure. |
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[차분한 음악]
[째깍거리는 효과음] |
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(수미) ♪ 따따따따따따 따다따따따따 ♪ |
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[타이머 알림음] |
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[의미심장한 음악] |
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[박수 소리] |
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[수미가 말한다] |
SUMI JO |
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[째깍거리는 효과음] |
SUMI JO |
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[수미가 숨을 후 뱉는다] |
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(여자5) |
-Were you able to sleep last
night? -No, I couldn't sleep. |
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(여자5) |
-Not at all? -No. My throat was
burning. |
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(여자5) [웃으며] |
-What should I do? -What will you
do? |
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(수미) 5시간에서 이제 4시간 58분 |
I have 4 hours and 58 minutes
left. |
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덮어놔야지 |
I'll leave it like this. |
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[수미가 계속 말한다] [여자5의 웃음] |
I NO LONGER WANT TO SEE IT |
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[악기들 튜닝하는 소리] |
GETTING READY FOR REHEARSAL |
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(제작진4) |
"If you could present one
last performance before you died, how would you do it?" |
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(제작진4) |
It's where you can realize your
dream stage. It's a performance that happens only once, in one take. |
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(제작진4) |
It's a performance that happens
only once, in one take. When the song ends, this stage Is taken down. |
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(제작진4) |
When the song ends, this stage Is
taken down. |
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- (연주자들) 안녕하세요 - (수미) 네, 이따 봬요 |
-Hello. -We'll see you later. |
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(남자4) 안녕하세요 |
-Hello. -Hello. You all look so
beautiful. |
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(수미) 어머, 너무 아름다우시다
다들 |
-Hello. -Hello. You all look so
beautiful. |
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감사합… 안녕하세요, 안녕하세요 안녕이에요, 안녕하세요 |
Hello, everyone. I'm the doll. |
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(제작진4) 자, 이제 가보겠습니다 |
Let's get started. |
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무대에서는 네, 공연 관계없는 분들은 다 빠져주시고요 |
If you're not involved with the
concert, please leave the stage. |
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(제작진4) |
We'll do it like the real
performance. |
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(제작진4) 네, 가겠습니다 자, 스탠바이 |
Okay, here we go. Stand by. |
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[악기들의 반주 소리] |
REHEARSAL BEGINS |
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[이탈리아어로] ♪ 나무에는 새들이 있고 ♪ |
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[국악 연주] |
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♪ 올림피아! ♪ |
THE LAST AND MOST DIFFICULT HIGH
NOTE |
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[힘찬 반주가 이어진다] |
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(수미) [한국어로] |
Hold on. You know this part? |
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(수미) '랄라' 거기서 |
Hold on. You know this part? |
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빨리 가야 돼요, 아니면 거기서 싯 다운하면 내가 너무 힘들어 |
-We have to go fast on that. -I
understand. -Or else, it'll get really hard. -Right. |
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[선영의 호응] |
-Or else, it'll get really hard.
-Right. |
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(수미) 거기가 어디였지? |
Where was that? That wasn't good. |
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(수미) |
Where was that? That wasn't good. |
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[긴장되는 음악]
[수미의 깊은 한숨] |
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[수미의 목
푸는 소리] |
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[수미의 목
푸는 소리] |
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(수미) |
I'm actually a little worried.
Will I be able to sing properly? I was actually very worried. |
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[연주자들의 인사] |
-Thank you, everyone. -Good work. |
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(수미) 선생님들 수고 많으셨습니다,
감사합니다 |
-Thank you, everyone. -Good work. |
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감사합니다 |
ENDING REHEARSAL FEELING ANXIOUS |
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[제작진4가 인사한다] |
-Let's all rest. -Thanks,
everyone! |
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수고하셨습니다 |
Thank you. |
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(수미) |
I'm not sure how my voice will
come out in this condition. |
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[분위기가 고조되는 음악] |
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[잔잔한 음악] |
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[째깍거리는 효과음] |
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[수미가 푸르르하고 숨을 뱉는다] |
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[수미가 고음을 연습한다] |
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[피아노 소리] |
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(수미) [이탈리아어로] ♪ 나무에는 ♪ |
TAKE 1 10 MINUTES REMAINING |
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♪ 새들이 있고 ♪ |
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[한국어로] |
Why am I screaming? |
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[수미의 한숨] |
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[피아노 소리] |
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[수미의 목
푸는 소리] |
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[수미의 한숨] |
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(수미) [낮게] 미치겠다, 진짜 |
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[수미가 후
하고 숨을 뱉는다] |
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[수미의 한숨] |
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[의미심장한 음악] |
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(제작진4) |
Everybody's ready, right? This is
it. Take 1. |
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(제작진4) 마지막 진짜 '테이크 원'입니다 |
This is it. Take 1. TAKE 1 5
MINUTES LEFT |
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[긴장되는 음악] |
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(수미) 어우, 치마가 자꾸 엉켜 |
I keep stepping on my dress. It's
getting in my way. |
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[수미의 입
푸는 소리] |
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(선영) 잘하실 거예요 [수미의 호응] |
You'll be fine. |
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(수미) |
But a challenge always comes with
risk. And it also requires courage. |
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(수미) |
I think this will be a great
experience. |
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(제작진4) 자, 가겠습니다 스탠바이 |
Here we go. |
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[긴장되는 음악] |
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(해설자) 인형의 노래 |
"The Doll Song."
"THE DOLL SONG" TAKE 1 VER. |
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오랫동안 꿈에 그리던 |
There once was a man who went
looking for the doll of his dreams. |
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최고의 인형을 찾아 나선 한 남자가 있었다 |
There once was a man who went
looking for the doll of his dreams. |
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(해설자) |
But no matter where he went, he
couldn't find the doll he was looking for. |
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(해설자) |
"What if I never find
her?" |
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(해설자) |
He was very disappointed and
anxious, but he kept looking for the doll of his dreams. |
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(해설자) |
During his journey, he finds a
shop of an eccentric scientist. |
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(해설자) 어? 이곳에 혹시 |
"Maybe in this place…" |
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(해설자) |
He carefully goes into the shop. |
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(해설자) |
Will he be able to find the doll
of his dreams here? |
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[경쾌한 반주가 시작된다] |
"THE DOLL SONG" SUNG BY
SUMI JO |
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"오펜바흐: 호프만의 이야기" |
"THE DOLL SONG" SUNG BY
SUMI JO |
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[관객들의 박수] |
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(수미) |
The sky's daytime star |
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(수미) |
Everything speaks of love |
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(수미) |
This is the sweet song |
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(수미) |
This is the sweet song |
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(수미) |
The song of Olympia |
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[경고 효과음] |
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[관객들의 웃음] |
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[관객들의 박수와 환호] |
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[충전 효과음] |
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[국악 반주가 시작된다] |
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(수미) |
Moves his quivering heart |
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(수미) |
Moves his quivering heart |
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[경고 효과음] |
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[관객들의 웃음] |
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[충전 효과음] |
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[충전 효과음] |
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(수미) |
The song of Olympia |
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[관객들의 박수와 환호] |
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[관객들의 박수와 환호] |
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[차분한 음악] |
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(수미) |
It was the busiest time of my
life, because of Take 1. |
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(수미) |
And I put a lot of effort into it. |
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(관객1) |
I had no idea classical music
could be like this. I got goosebumps when the gugak accompaniment first
joined in. |
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(관객1) |
I got goosebumps when the gugak
accompaniment first joined in. |
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(관객2) |
I think they're the best in the
world. |
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(수미) |
I want to thank everyone. Because
doing all these new things |
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(수미) |
Because doing all these new things
and going on a path that nobody's gone on before, |
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(수미) |
and going on a path that nobody's
gone on before, |
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(수미) |
wouldn't have been possible solely
through my own efforts or without the help of all these people who worked
with us. |
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(수미) |
or without the help of all these
people who worked with us. |
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(수미) |
In the end, life is all about
challenges. |
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(수미) |
Don't be afraid. You have to trust
in yourself and enjoy what you do. Just do your best. |
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(수미) |
You have to trust in yourself and
enjoy what you do. Just do your best. |
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(수미) |
You have to trust in yourself and
enjoy what you do. Just do your best. |
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(수미) |
Because every day is Take 1. |
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